Shotwright

A visual workspace for every video your team makes.

Shotwright turns scattered references, docs, and notes into a shoot-ready plan, fast.

From the first idea to the production book your crew shoots from, your whole team works on one canvas. Join the waitlist for early access.

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Built with working directors and production companies.

Less paperwork. More shooting.

Faster turnarounds
Go from a brief to a first treatment and shot list in minutes, not days.
One source of truth
References, scripts, shot lists, and the final book live together. No more chasing the latest version across tools and threads.
Everyone aligned
Directors, producers, and clients work on the same canvas in real time.
Professional output, every time
Every project ships a production book your crew can actually shoot from.

Everything, in one workspace.

Plan
An infinite canvas for references, notes, and moodboards.
Draft
Briefs, treatments, shot lists, and storyboards, built from your canvas in your own words.
Deliver
A production book: one clean binder you can print or export.
Collaborate
Real-time multiplayer canvas, share-for-review links, and version history.
Scale
A team workspace, brand kit, and admin analytics.
Secure
Encrypted at rest, with SSO/SAML available for larger organizations.

One canvas in. A shootable book out.

The canvas becomes a brief, a treatment, a shot list, and a production book, all in your team's own words.

Creative Brief
Closing Time
On the last night the Rialto’s projector will ever run, the man who has threaded every reel for thirty-one years plays one final show to the neighborhood that grew up in its seats.
Concept

We spend the final night inside a single-screen cinema, the week before the wrecking permit clears. The marquee still works. The carpet does not. We are there from the afternoon load-in to the moment the booth goes dark.

The film lives in two rooms. Downstairs, the house fills with people who had first dates here, who saw Jaws here, who bring their kids to a place that will not exist on Monday. Upstairs in the booth, Sal threads the last reel the way he has threaded every reel since 1994, by hand, by feel, not looking down.

There is no narration. The building does the talking: the rattle of the platter, the warm dust in the beam, the sound a thousand seats make when they tip up at once. We end on the beam cutting out, and the ordinary work-light coming up on an empty house.

Bring your team onto one canvas.

We're opening access in waves. Leave your name and we'll reach out with early access for your team.